Back to list Associate Sound Designer
Paul Gatehouse began his career in theatre, as a sound mixer at the Theatre Royal Plymouth, moving on to London’s West End to work for productions including Miss Saigon (Cameron Mackintosh, Theatre Royal, Drury Lane); The Lion King (Disney, Lyceum) and Saturday Night Fever (Robert Stigwood, UK tour). His career progressed to assistant and then associate sound designer, working in collaboration with
Olivier Award-winning designer Mick Potter. Theatre includes: Andrew Lloyd Webber’s The Woman in White (London and Broadway); The Sound of Music (London, Toronto and UK tour); Joseph and the Amazing Technicolor Dreamcoat (Adelphi); Saturday Night Fever (Apollo Victoria, Madrid Teatro Coliseum and UK tours); Zorro – The Musical (Garrick, Paris Folies Bergeres); Scrooge – The Musical (UK tours); Der Schuh des Manitu (Theater des Westens, Berlin); Ich War Noch Niemals in New York (Operettenhaus, Hamburg and Coliseum, Stuttgart); Hair (Gate); Whistle Down the Wind (Palace); Starlight Express (UK tours); The Phantom of the Opera (recent London and Broadway sound redesigns);
Phantom – The Las Vegas Spectacular (Venetian, Las Vegas); Sister Act – The Musical (London Palladium); the new Cameron Mackintosh 25th Anniversary Production of Les Misérables (international tour, Madrid, US first national tour); Love Never Dies (Adelphi and Australia). Paul recently associate designed and mixed the 25th anniversary Concert of Les Misérables at the O2 Arena and the 25th anniversary production of The Phantom of the Opera at The Royal Albert Hall.